Why Isnt Meryl Streep in Mama Mia Here We Go Again
- INSIDER spoke to "Mamma Mia: Here Nosotros Go Again" director Ol Parker about the complicated "Dancing Queen" scene, which involved 14 boats.
- Parker said that Colin Firth and Stellan Skarsgård aren't proficient dancers, so they inverse their choreography for the boat scene the dark before shooting.
- Parker also confirmed why Meryl Streep'south character Donna was killed off for the sequel, and why the film doesn't clarify how she died.
- "Mamma Mia: Here Nosotros Get Once again" is bachelor on digital, DVD, Blu-ray, and On Demand now.
Ol Parker, the director of "Mamma Mia: Here Nosotros Go Over again," made the nigh delightful movie of the summer that audiences and critics loved.
INSIDER spoke to Parker leading up to this calendar week'south DVD, Blu-Ray, and On Demand release about the circuitous "Dancing Queen" sequence that involved fourteen boats, and the decision to kill off the main character.
"Here We Go Again" tells two stories from two different fourth dimension periods. In the present, Donna, played by Meryl Streep in the original 2008 "Mamma Mia," has passed away. Her daughter Sophie (Amanda Seyfried) is running a hotel from the Greek Island where they lived together. The other story, set thirty years earlier, shows how Donna (played by Lily James) met Sophie's 3 "dads," ultimately leading to Donna settling in Greece, significant with Sophie.
Late in the film, Cher, who plays Donna's mother and Sophie'southward grandmother, shows up on the isle and sings the iconic ABBA vocal "Fernando" with Andy Garcia, a moment that made audiences everywhere scream with excitement.
Parker too told INSIDER how Meryl Streep's interest in doing the sequel with her character expressionless got the rest of the original bandage to do the movie. And some of them said yes without fifty-fifty reading the script.
This interview has been edited and condensed for clarity.
Carrie Wittmer: Could you walk me through the procedure of making a sequel ten years after?
Ol Parker: There was always a massive desire for a sequel. The studio couldn't have wanted information technology more given how much coin the original fabricated. But immediately, there was just a struggle. Not every story needs another chapter. So they couldn't really find a proper version that actually made dramatic sense. And all of the bandage, Meryl in particular — none of them wanted to exercise information technology. They were all very proud of the first i and what it had accomplished and how information technology had fabricated people feel. And then they didn't just desire to evidence up. Meryl was never going to exercise that.
Wittmer: Interesting. How did you get involved?
Parker: Because they were desperate and I was cheap, I think. And I suggested that Meryl's character be dead in it, and that we make the picture at least in part about getting over the loss of her.
Wittmer: Did Donna being dead make Meryl a footling more into the thought of a sequel?
Parker: We talked to her about information technology, and she was delighted. The news that Meryl was in was vivid to the remainder of the cast and brilliant for me, manifestly, because they all committed directly abroad. Some of them without reading the script.
Wittmer: In the movie you don't reveal how Meryl's character Donna died. Exercise you know how?
Parker: Yeah. And we included the cause in various unlike drafts. It's just if you lot apply the discussion "cancer," it kind of becomes the whole scene. I talked with Amanda [Seyfreid] and Pierce [Brosnan] about how it had gone and how long it had taken for Donna to die, and we all felt that the characters had time to become used to it while information technology was happening. It wasn't sudden, it wasn't a drowning or something. So, something ho-hum.
Wittmer: One thing I love about "Hither We Go Again" is the use of some of ABBA's less popular songs, similar "Andante, Andante" and "One of U.s.a.."
Parker: I basically did the film to please my mum.
Wittmer: Was it hard to pick what songs to utilize?
Parker: I mean, you lot tin can't exercise information technology without "Dancing Queen," and evidently the picture is called "Mama Mia." But when I first went to Stockholm to met Benny Andersson and Bjorn Ulvaeus [of ABBA], they said, "We would dearest for the songs to serve the plot and drive the plot." And so I simply thought if I just chose the best vocal for the drama rather than the most well-known vocal and so that would be great. "I've Been Waiting For You lot" is very little known, but I just idea it was admittedly cute and I had the thought of Amanda singing information technology while Lily gives birth. And Bjorn rewrote the lyrics very generously to make information technology more continued to what y'all're watching, which he besides did at the end with "My Love, My Life."
Wittmer: I didn't even discover the lyrics were rewritten. How did yous incorporate "Fernando?"
Parker: I just wanted the song. I hateful, Andy [Garcia], his character Fernando was invented so that Cher could plough to him and sing, "Fernando." He was invented in reverse for that moment. Then different songs for different things. But in general, the thought was to try and make them drive the narrative a flake more like a musical than a jukebox musical.
Wittmer: At that place'due south a lot of complicated choreography in these musical sequences. I'yard thinking specifically of "Dancing Queen," which involves many, many boats. What was it like to film that?
Parker: I was admittedly delighted, but horrified to exist offered the job two months later on I'd handed in the script. Because it suddenly became my problem, having merrily written, "Yeah, 14 boats, it's gonna be great! Fabulous!" So I find myself in a helicopter looking at 14 boats thinking, "Okay." Merely yeah, it was complicated. My primary way of directing is to rent really good people and then get out of the manner and permit them be brilliant. I had a really good squad. They took really practiced intendance of me. And everyone was really committed and the actors were all in, equally y'all can tell. So it was a ridiculously fun shoot. Embarrassingly fun.
Carrie: Information technology's amazing. I can't get Colin Firth and Stellan Skarsgård spooning each other on the boat out of my head.
Parker: Colin and Stellan were slightly worried about dancing, because they're not great at it. We were talking the night before shooting, and they'd rehearsed the dances on the boat. But it merely wouldn't have looked great. I was like, "just hang from the rigging. Have fun. Just have fun." And they had a brawl. They were laughing all the way through it and it turned into an incredibly happy mean solar day for them, which is not what they were expecting. If they're having fun then we will. That was my hope, anyhow.
Read More:
12 surprising things you lot probably didn't know near the 'Mamma Mia' movies
THEN AND Now: The bandage of 'Mamma Mia' 12 years later
Source: https://www.insider.com/director-of-mamma-mia-2-reveals-how-meryl-streeps-character-died-2018-10
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